I’m just really inspired by writers who write about their corner of their cities and do it in a way that even a hundred years later somebody is able to connect to that place.
Q&A with Liwen Xu, author of "In the End"
Q&A with Anna B. Moore, author of Don’t Pity the Desperate
RECENTLY PUBLISHED
Q&A with Lynne Thompson, author of Blue on a Blue Palette
"I believe anything can be said on the page. The issue may be whether the writer has the courage to say what needs to be said."
Q&A with JoAnne McFarland, author of American Graphic
"...Often the draft has its own energy and then we almost kill it. We refine something down to death."
Q&A with KB Brookins, author of Pretty
"All the books that I’ve written so far are iterations of the same person learning more about what it means to be a Black trans person."
Q&A with Ariana Benson, author of Black Pastoral
"...When you’re urban or even in a space like a suburban neighborhood you can understand or feel where your world ends, right?... The field to me has presented a place of expanse. Freedom."
Q&A with Bruna Dantas Lobato, author of Blue Light Hours
"Translation, much like writing, is a relational art."
Q&A with Jess Yuan, author of Slow Render
It’s interesting to think about moving through the sections of the book like moving through different rooms in a building
