Roadside Attraction

Standing on the deck feels like being at the edge of an empty picture frame, or on a stage upon which a show might be performed—or might not be, depending on your luck.



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A red lacy bra on a white bedsheet

Narrative Arc of No One’s Gumara

That he spends more time narrating what he would do to you than doing most, if any, of it is the kind of intermittent reward used to create addiction in lab rats. You are the rat.


A photograph of a room in the middle of renovation. In the foreground are various tools, in front of several large cardboard boxes. In the background are several large windows.

As the Hammer Fell

In my twenties I wasn’t sure I wanted to be a mother. When my friends started having kids, however, I worried I was missing out on something.


A black and white photograph of two lorikeets with a blurry background

The Lorikeet

My mother was the first to notice. She was always acutely aware of animals, nature, and cute things that cooed.


Many colorful, worn, wooden doors sit propped against a stone wall.

Self-Portrait Through Many Doors

Self-portrait because I once saw a door and knew not to open. Because behind every door is a mouth, and the tongue, a road.


An anatomical drawing of two knee joints

Sidelined, or No Pain, No Gain

I think it was the first time it hit me that I was disposable, that we all were, that we players were on an assembly line of talent, and when we reached the end, it didn’t matter much whether we fell in the trash or not.