Narrative Arc of No One’s Gumara

That he spends more time narrating what he would do to you than doing most, if any, of it is the kind of intermittent reward used to create addiction in lab rats. You are the rat.



RECENTLY PUBLISHED


A black and white photograph of two lorikeets with a blurry background

The Lorikeet

My mother was the first to notice. She was always acutely aware of animals, nature, and cute things that cooed.


Many colorful, worn, wooden doors sit propped against a stone wall.

Self-Portrait Through Many Doors

Self-portrait because I once saw a door and knew not to open. Because behind every door is a mouth, and the tongue, a road.


An anatomical drawing of two knee joints

Sidelined, or No Pain, No Gain

I think it was the first time it hit me that I was disposable, that we all were, that we players were on an assembly line of talent, and when we reached the end, it didn’t matter much whether we fell in the trash or not.


A row of old and fading hand-labeled VHS tapes set in front of a graffitied wall

The Spell of Exile

If the child is the father of the man, couldn’t the reverse also be true? That the man, too, becomes a child again, in the presence of his own child.


An almost completely black photo of a door open ajar, outlined in light.

From the Archives: The Den of Earl

It was a favorite line of his. More than him saying it, I was frustrated by the expectation that a nine-year-old should know how to thaw and cook red meat. I was forever failing at things I was never taught to do.