Moments like these are threaded through my stories, and to me, they are the gold thread glinting in my fiction. In some ways, I’m always writing for my parents, towards my mother.
Q&A with Anna B. Moore, author of Don’t Pity the Desperate
Q&A with Lynne Thompson, author of Blue on a Blue Palette
RECENTLY PUBLISHED
Q&A with JoAnne McFarland, author of American Graphic
"...Often the draft has its own energy and then we almost kill it. We refine something down to death."
Q&A with KB Brookins, author of Pretty
"All the books that I’ve written so far are iterations of the same person learning more about what it means to be a Black trans person."
Q&A with Ariana Benson, author of Black Pastoral
"...When you’re urban or even in a space like a suburban neighborhood you can understand or feel where your world ends, right?... The field to me has presented a place of expanse. Freedom."
Q&A with Bruna Dantas Lobato, author of Blue Light Hours
"Translation, much like writing, is a relational art."
Q&A with Jess Yuan, author of Slow Render
It’s interesting to think about moving through the sections of the book like moving through different rooms in a building
Q&A with Sarah Ghazal Ali, author of Theophanies
The poems are built on a foundation of refusal — to choose between two truths
