To confront a Toor then is to reckon with the nature of art history itself. And simultaneously, it is to imagine a vision of optimistic queer futurity that begins with recognition as a radical form of community building.  From paintings of beleaguered South Asian folks worn out in airport security lines, to reconfigurations of queer non-binary folks caught in the heady desire of an embrace, Toor carves out a space for new and vivacious subjectivities that have long been hushed or glossed over.