How is colonialism embedded within our our day-to-day experience—in soup containers, in a newspaper, in the patterns that we see?
RECENTLY PUBLISHED
You will always be someone from somewhere else
On the eve of the anniversary we came down from the mountain-house. The taxi driver who took us back to the city had a tattoo on his wrist, it read: “1975.”
Marginalized and Mythological
Marginalized and Mythological: Shanequa Gay’s Disruption of the Pastoral Landscape is an intricate historical study of the global cotton and textile industries, tapping into the violent commodity made of Black bodies through control and decoration.
Artist Feature: Christopher Paul Jordan
"Optics weaves this through-line between sculpture, photography, digital art, painting, and interactivity in a way that I've realized enables me to be myself."
“racst/aunts” and “the only split/hoof”
Slow poetry from Robert Yerachmiel Sniderman's environmental work in progress Gesya Mirokhovna Gelfman.
WE THE PEOPLE
WE THE PEOPLE is a work of mail art anonymously submitted by an American artist. Within is a curated list of QR codes linking to public physical sites, free to the public, one for each state in the union.
