Morehshin Allahyari: Rendering Borders

At the end of the exhibition, the agents were invited to congregate for a final celebration titled “Border Control” where Allahyari’s body was reassembled within the space.



RECENTLY PUBLISHED


an art installation that includes wallpaper printed with deertaurs and trees and a 1950s-style lace dress

Marginalized and Mythological

Marginalized and Mythological: Shanequa Gay’s Disruption of the Pastoral Landscape is an intricate historical study of the global cotton and textile industries, tapping into the violent commodity made of Black bodies through control and decoration.


welded viewmaster with lake in the background

Artist Feature: Christopher Paul Jordan

"Optics weaves this through-line between sculpture, photography, digital art, painting, and interactivity in a way that I've realized enables me to be myself."


WE THE PEOPLE

WE THE PEOPLE is a work of mail art anonymously submitted by an American artist. Within is a curated list of QR codes linking to public physical sites, free to the public, one for each state in the union.


Cyborg Mestiza

What happens when so many versions of ourselves compete for our attention and for the attention of others?