How do you keep some of yourself for yourself and what is lost in the process? I’ve always been interested in that question and tried to write into it while I was putting this collection together.
Q&A with Patrycja Humienik, author of We Contain Landscapes
Q&A with Duy Doan, author of Zombie Vomit Mad Libs
RECENTLY PUBLISHED
Q&A with Hayden Casey, author of Show Me Where the Hurt Is
"We're all complicated, and we all make mistakes, and we all love each other. I like getting at that sort of very realistic aspect of the human experience, which is that sort of complicated nature of everybody."
From the Archives: Q&A with C Pam Zhang, author of “Are They Vampires, or Are They Just Chinese?”
Speculative fiction is such a gift to minority writers.
Q&A with Khadijah Queen, author of Between the Devil and the Deep Blue Sea
"I was a reluctant memoir writer and I had to decide what felt more important: keeping the stories to myself or perhaps making a dent in the stereotypes that people have about women's experiences on active duty."
Q&A with Kenji Liu, designer of the Decolonized Area Rapid Transit Map
"...The power of creativity is to change our imagination of a thing, and therefore imagine that further steps could be possible."
Q&A with Aruni Kashyap, author of The Way You Want To Be Loved
Is it possible to write in English by remaining acutely aware of and consciously borrowing from Indigenous and vernacular aesthetics?
Q&A with Alejandro Heredia, author of Loca
I’m just really inspired by writers who write about their corner of their cities and do it in a way that even a hundred years later somebody is able to connect to that place.
