As I documented the walls of the home through my camera, I began questioning their construction and composition.

Only walking itself remained.
It was a prayer, searching for a path.

"I noticed that so many things felt very opposite, and I was interested in the experience of inhabiting this position, knowing how I felt when I was on the other side."

...my fascination with tulips becomes a social technology that archives our changing positions within ecological time. Tulips capture what standard clock time cannot document.

Years ago, I’d look through photobooks and think: great composition, beautiful work in the darkroom, wow what a scene. But then I focused on the gaze of the subject, really, the collaborator.