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ART By KATIE ALAFDAL To confront a Toor then is to reckon with the nature of art history itself. And simultaneously, it is to imagine a vision of optimistic queer futurity that begins with recognition as a radical form of community building. From paintings of beleaguered South Asian folks worn out in airport security lines, to reconfigurations of queer non-binary folks caught in the heady desire of an embrace, Toor carves out a space for new and vivacious subjectivities that have long been hushed or glossed over. WIT TEA By KATIE ALAFDAL “You will not learn even one fact about whales from any of those selections. Not one fact.”
The Miraculous Vivacity of Salman Toor
An Open Letter to My Five Unread Copies of Moby Dick
