Q&A with Grace Loh Prasad, Author of The Translator’s Daughter
I write about what it's like to be in this in-between space, to not have these things in common with my friends, and to be looking for more of a community and sense of belonging.
I write about what it's like to be in this in-between space, to not have these things in common with my friends, and to be looking for more of a community and sense of belonging.
It should cost a billion to look this good—to look this much like yourself, ever changing.
Her wet nonexistent fingerprints run through / my scalp muttering, how would I let anyone take you.
It struck me that the answer to my question, why now, was that California has been, for generations, shaped and influenced by migration from Asia, and the art being produced by people of these diasporas is too great to be overlooked any longer.
I’ve read numerous articles about the murders, searching for some shred of evidence, some hidden rationale for this crime, but the more I read, the faster the details fade, like water smearing ink on a handwritten letter.