TRANSLATION

“Leyla” and other poems

By FABIO RIVAS RIVERA

"Maybe we should never have left the forbidden paradise
the winged key fled taking flame"

WIT TEA

How Things Go

By DANIEL GIACHETTI

And like everyone else, I'll want to start a band

FICTION

The Mirror

By AMPARO DàVILA

We sat a while in silence like two strangers, facing each other. I didn’t ask her what had happened or what she had seen, or believed she had seen, in the mirror.

COMICS

Where?

By JESSE LEE KERCHEVAL

Did she tell me before we were born, we were waiting in the dark? Like leaves hanging on a black tree?

RECENTLY PUBLISHED

23 Oct 2026

Q&A

On the left is a photo of the author. Noel is wearing a black beanie, black t-shirt, and red and black flannel shirt. They have a short black goatee, light brown skin, and brown eyes. They are wearing two small gold earrings in the shape of snakes and a small gold hoop nosering on their left nostril. They are smiling but not showing their teeth. On the right is the cover of their book, Orange. The book has a soft black background with text that says, "Orange | Poems | Noel Quiñones | Foreward by Julian Randall." The text is white except for "Orange," which is in pink, orange, blue and yellow. A graphic design with rectangles and circles in the same colors, as well as white and red, decorates the cover. A handwritten orange tilde is over the first N in "Quiñones."

Q&A with Noel Quiñones, author of Orange

By MARIANNE MANZLER

… there are still many things we don’t understand about color, but we lie to ourselves to make ourselves feel safer.

21 Oct 2026

POETRY

Image shows a close up of a baroque ceiling fresco, depicting figures of all different kinds in clouds with angels, dramatically posed and dynamic, positioned closely to one another. The background is pale blue, and gold molding with marble statues can be seen around the bottom of the image. The colors of the figures in movement are warm in contrast with the white and grey clouds.

Study a Cause

By KIMBERLY QUIOGUE ANDREWS

Its seclusion, its great swaths of stillness. Wakefulness in amber.

19 Oct 2026

MICRO

A grayscale photo of the full moon, partially shadowed. The moon sits closer to the upper left corner of the image, as if a banner or flag. Photo is by Nathan Anderson on Unsplash.

The Matter

By KATIE UMANS

What is the child / in the moonlight?

16 Oct 2026

INSIGHT

A vintage orange television sits on the counter of a pale yellow kitchen.

Comfort Nausea

By SOFIE RILEY

I’m in the sunroom of my Minneapolis apartment when my mother tells me she’s been watching Heartstopper.

14 Oct 2026

WIT TEA

Everyone Needs to Know That Kendra Hennings Can’t Write

By S.M. STRAND

Our first workshop begins tomorrow at Circle Time

12 Oct 2026

BACK OF THE ENVELOPE

The front cover for the speculative poetry collection DEAD BOYS IN SPACE. It has a background like the night sky, dark blue and subtly dappled with white spots. The words DEAD BOYS in all-caps and in bright yellow text are near the top and IN SPACE in the same format is near the bottom. Next to IN SPACE is the author’s name, Sara Youngblood Gregory, not in all-caps and a slightly smaller font but still yellow. In the center of the cover are two, red and very muscley men positioned around a red moon or planet. The men near the top left of the moon points downwards towards the moon/planet, and the man in the lower right has his right leg extended and his left hand poised with his fingers touching his forehead.

Excerpt from DEAD BOYS IN SPACE

By SARA YOUNGBLOOD GREGORY

alone but for each other, these exiles put a stopper on one of the most aggressive illnesses in the history of mankind

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